SANA OBRUENT California
Verum musicum (by Erik Satie)
Qui proficit in sapientia ... ... clara est et didicit
carere
sacrificia magna et paratus sit ad sacrificia ingenti ... ...
si dici potest sua industria ... est ingenti ...
... In certamen paratum est ad honestatem et ipse pugnabit is ...
... more
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supported by 5 fans who also own “Suus Nunc Oblita Autem (Forgotten)”
This is a brilliant album, with a great narrative concept. Ambient enough to write or sleep to, yet melodic enough to sustain numerous active listens. It's like someone made a jus of Explosions in the Sky.
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supported by 5 fans who also own “Suus Nunc Oblita Autem (Forgotten)”
I love the low, subliminal rhythms that come up once in a while.
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supported by 5 fans who also own “Suus Nunc Oblita Autem (Forgotten)”
This is a great dark ambient album, akin to Steve Roach's The Magnificent Void. Maybe it's just me, but I don't find it to be dark in a negative way, I get more of a mysterious, esoteric, majestic feeling. Like being in awe of a vast expanse. On a side note, I fell asleep listening to this last night and had a very fascinating dream, the atmosphere of which I'm sure was directly influenced by this album.
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Producer and composer Dan Frizza takes us on an emotional journey through boyhood, adolescence, and adulthood with ethereal ambient folk.
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On his latest, San Francisco artist Albert Yeh offers nine beautiful tracks that bridge the gap between drone & ambient music.
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Paperbark buries short sample snippets in a deep ocean of electronics, to mesmerizing effect.
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I Thought I'd Never Find You
by Desolate Horizons
supported by 5 fans who also own “Suus Nunc Oblita Autem (Forgotten)”
When listening to this, I have the strange feeling that Nature is somehow trying to reveal something to us through this blissful music. It's like if we could perceive the Absolute Beauty of the Universe through our ears. But it's infinitely hard to understand. And it drives me into a strange state of awareness.
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